Mostrando entradas con la etiqueta soundtrack. Mostrar todas las entradas
Mostrando entradas con la etiqueta soundtrack. Mostrar todas las entradas

jueves, 10 de enero de 2013

THE LOST ART OF INTERROGATION - John Altman Interview



Welcome to The Lost Art of Interrogation. Here, we will practice this "lost art" with some people involved in the world of GOLDENEYE. Interviews have been done by private e-mailing and might have had some slight editing to fit the structure of the site, but the opinion of the interviewed remains, of course, untouched with its actual words.



Our first interviewed really needs no introduction. He's a famous composer, as famous as James Bond is in a way, and he was also responsible for making Pierce Brosnan a big star after suggesting director John McKenzie to cast him in a leading role in 1987's THE FOURTH PROTOCOL. Born in London in 1949, John Altman has composed and produced music of many famous films like the critically acclaimed TITANIC, starring Leonardo DiCaprio and Kate Winslet. 




A Bond fan for decades, John finally had the chance to leap into the incredible world of 007 in 1995 when GOLDENEYE came out - he had to re-score what it is one of the best scenes in the whole franchise.

Altman has many friends between the Bond
alumni, including DR NO composer Monty Norman


How where first involved with GOLDENEYE? How did you get to re-score the tank chase sequence?

I came on board since I had done two movies previously with Eric, ATLANTIS and LEON: THE PROFESSIONAL as his orchestrator/conductor. When the producers and director indicated they were unhappy with the way Eric had scored the tank chase and Eric refused to rewrite, they approached me to rescore. I did this on condition that Eric gave his approval as it was he who had brought me into the movie in the first place.




How would you professionally rate him and his work in the film?

He (Eric) loved Ryuchi Sakamoto's work on SHELTERING SKY, which I had orchestrated and conducted, and hired me to replicate that role in his first ventures into orchestral writing. The producers hired him to write Eric Serra but decided they wanted a more traditional approach. I think he was ahead of his time but, as we have seen, nearly 20 years later Bond music still follows the traditional paths.



You know the tank chase scene is perhaps one of the best moments in GOLDENEYE, of not in the entire James Bond franchise. Do you think that is in a way related to the re-scoring of the music you did?

I would hope that what I wrote added to the excitement. I was scoring a couple of movies at the time as composer too so it was fun to jump in and do Bond! - I wish the original soundtrack version which has never been issued on CD would come out as it sounds amazing - it was all written and recorded in four days so it has a wonderful energy.

The famous GOLDENEYE tank chase scene
 was re-scored with an epic sound by Altman.



Let's talk about James Bond and his music. Have you grown up as a Bond fan and listening the John Barry scores? And what do you think of Thomas Newman and David Arnold in the modern Bond films with Pierce Brosnan and Daniel Craig?

I was a big Bond fan - curiously I was a very good friend of Terence Young who directed several Bonds, Monty Norman sings with my jazz group from time to time, and I've written songs with Don Black who was an early mentor of mine! I do love the Bond tradition and am honoured to be a part of it. I'm off now for lunch with David Arnold!


Now, let's finish talking about your future projects. Anything in the horizon right now?
I have just recorded a big band album which will come out this year. I'm heading to China to do some concerts with the band. I hope to have a couple of movies to score, a BBC show to do, and am still working on live shows and concerts. I produced one CD for the TITANIC 3D Anniversary Edition so I am also involved with that and its aftermath.



We thank John for being the first GOLDENEYE member answer our questions, and we wish him good luck in all his projects. Now, let's see who's the next one to visit us in the Lost Art of Interrogation sessions.

domingo, 7 de octubre de 2012

SKYFALL SOUNDTRACK - Cover Art & Track Listing

UPDATE (9/10/12) - Soundtrack preview here (thanks to Alan More and CommanderBond.net)

After Adele's groundbreaking reveal of the SKYFALL title song, Amazon has revealed the cover art and track listing for Thomas Newman's score for the 23rd James Bond film.



The CD cover artwork features the teaser poster artwork, and we're expected to have about 70 minutes of music. In a similar situation than David Arnold's score for 2006's CASINO ROYALE, Newman's album will not contain Adele's title song.

The track listening is the following. There are NO spoilers.

1. Grand Bazaar, Istanbul
2. Voluntary Retirement
3. New Digs
4. Severine
5. Brave New World
6. Shanghai Drive
7. Jellyfish
8. Silhouette
9. Modigliani
10. Day Wasted
11. Quartermaster
12. Someone Usually Dies
13. Komodo Dragon
14. The Bloody Shot
15. Enjoying Death
16. The Chimera
17. Close Shave
18. Health & Safety
19. Granborough Road
20. Tennyson
21. Enquiry
22. Breadcrumbs
23. Skyfall
24. Kill Them First
25. Welcome to Scotland
26. She’s Mine
27. The Moors
28. Deep Water
29. Mother
30. Adrenaline     



The album will be released under the Sony Classical label on October 22nd in UK and Europe and in November 6 in the US.


Thanks to CommanderBond.net for the head ups.



























miércoles, 4 de enero de 2012

THOMAS NEWMAN TO COMPOSE "SKYFALL"

Since composer David Arnold (Bond composer TOMORROW NEVER DIES to QUANTUM OF SOLACE) will be busy directing the music of the London Olimpycs 2012, Amreican composer Thomas Newman will compose the soundtrack for the 50th Annioversary Bond film SKYFALL, set to premiere on October 26th this year.



Born in Los Angeles in 1955, Newman has composed many Sam Mendes films like AMERICAN BEAUTY, ROAD TO PEDITION, JARHEAD and REVOLUTIONARY ROAD.

Other films in his CV includes CINDERELLA MAN, WALL-E, FINDING NEMO, MAD CITY and THE GREEN MILE.

Thanks to MI6-HQ.com for the alert.